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Mozart Requiem

A favourite of many choral singers, Mozart’s Requiem is beautiful and thrilling in equal measure

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Recordings

Rafael Frühbeck de Burgos

As old and out of fashion as I am, but fabulously grand and exciting; I love it. (Online or used CDs only)

John Eliot Gardiner

Typically brisk, precise and thrilling performance from Gardiner and the Monteverdi choir

John Butt

A minimalist, historically-informed interpretation; both refreshing to listen to, and easy to practice to

Scores

These are some of the more common scores; other editions are available. Different editions may vary significantly e.g. in the music, words or page numbering. Check which edition your choir is using before purchasing. Also watch out for different formats (e.g. large print, spiral-bound reprints) as these may not be what you want. 

New Novello (Ed. Robert Druce)

The latest edition (NOV 070529). Contains two complete scores - the Sussmayer completion, followed by Druce's own completion. So it's bigger and heavier. Latin words. The Sussmayer is largely compatible with the old Novello edition (e.g. same page numbers) but with some differences (e.g. in the placement of the words against the notes, particularly in the Kyrie.)

Old Novello (Ed. William Best)

The classic Novello edition (NOV 070224). Just the Sussmayer completion. Latin words. Still sold new though may be plain / ring-bound reprints rather than traditional red cover.

(See the Practice aids page for more information)

Practice aids

Mozart Requiem practice aids

Note: YouTube and the internet has lots of rehearsal aids for this work. Use your favourite search engine to find one that you like. For example, search for: mozart requiem practice aids alto

Musical Notes

The story of Mozart’s Requiem is shrouded in mystery and almost as dramatic as the music itself. Mozart died on 5 December 1791, aged just 35, leaving the Requiem unfinished. His widow arranged for its completion, principally by his pupil Franz Xaver Süssmayr. Although Mozart had written much of the choral music, his exact contribution to the finished work is still debated.


Regardless of origin, every movement has something special to offer singers. From the haunting opening to the drama of the Dies irae, the Requiem is full of memorable moments. My favourite piece - and one of my favourites in the whole of choral music - is the Kyrie. Listening to the intricately interwoven themes of this magnificent double fugue, you wonder how you could possibly sing it. Yet with plenty of practice, precision - and stamina! - anyone can experience the thrill of performing it. And if something goes wrong, you get another chance in the finale!

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